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Rob Lahood finds a wonderful garden that puts the small town of Carterton on the map.
Close your eyes for a second, open them and pinch yourself. No, you are not in Italy – or looking at a glorious renaissance garden on the continent or in Britain. You are in the Wairarapa, almost in the centre of Carterton, and this is Richmond, an extraordinary garden at the end of a plain street in the centre of an ordinary small New Zealand town.
Richmond, which featured on the cover of Weekend Gardener’s NZ Gardens Trust Guide in March, is one of this country’s four newly proclaimed Gardens of International Significance. It is extraordinary, both as a restored historic home and a reinterpretation of European garden formality.
But more particularly, it is a marvellous testament to the work of one woman, Melanie Greenwood, who, with the help of her husband John and brother Richard, has created a work of art with her vision and dedicated labour.
Melanie, a self-taught gardener and plantswoman, gained a design degree, changed career direction and, while bringing up a family, conjured and brought this grand design to fruition in just 15 years.
“I liked gardening more,” she says of her design capabilities, “it’s more rewarding. Whatever, I always like being out there, doing it.”
Richmond started life almost 130 years ago when Carterton’s first town clerk Henry Wolters built a formal villa on what was originally 42 acres. As splendid as it was in the 19th century, Wolters could not have dreamed how his property would flourish in the 21st century, with its garden achieving such top honours.
After an extensive search for a property with a garden, the Greenwoods bought Richmond after it was passed in at auction.
The house was neglected, some of it ‘dreadful’ but the land was flat. This captured Melanie’s imagination as the perfect site for a formal garden because there were no competing views.
The development of the garden took priority over the restoration of the house: Melanie immediately set about ‘doing it’– designing her three-hectare garden and launching into her long project. She had 24 enormous macrocarpa trees felled. These trees were planted in 1900 and shaded the old house, blocking views of the bare paddocks. The drive was re-routed and shelter trees planted on the boundaries.
She wanted her own garden paradise and the house could wait so a superbly designed addition and renovation – done with the help of an Historic Places Trust architect, Chris Cochrane – was put on the back-burner. It was completed just four years ago and now complements a garden that reflects the moods of all the four seasons.
The key words in the garden’s master plan were multiple planting, symmetry (classic Italian style), exotic trees, topiary and buxus.
The basis of Melanie’s design is multiple planting:
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